Wednesday, June 17, 2015

At least it's not raining

Mid way through June, one would think that the sun would be out in full force and every weekend would be beach-worthy. In London, however, this is not the case.

While the days are fantastically long where daylight is concerned (the sun finally wanes around 9pm these days), the quotidian weather leaves a lot to be desired. A chilly wind has persisted as we head towards the summer solstice.

The response to not inclement although not quite pleasant weather usually is: 'Well, at least it's not raining'. Such a phrase seems initially optimistic, however, the way it is constructed reveals more of a positive negativism. It really is just a milder version of: 'It could be worst'.

'Summers' here tend to be mild and long, or rather the waiting for summer tends to be mild and long. The running joke here too is that a few days of hot, sunny weather are the entirety of the summer season, whether they come in April or May or in September. I remember the line from a French movie, whose name I don't recall, in which the main characters passing a park in their black cab in London remark of the zeal with which the English sunbathe at the first suggestion of warmth and sunlight. It was funny because it is true. Whatever the tinge to the optimism of the English there is a seize-the-moment mentality when it comes to the sun's rays, a welcome yet inconsistent guest.

Wednesday, May 13, 2015

Poems of Spring

Surging into summer, the first bright harbingers
of spring begin to fade, their optimistic colours awash
in the brightening sun. Purple streaking into white radiating
 from the tulip's sex, anthers cluster close to the central pistil, dust,
like ashes, shedding to the fading petals. Black pigment the remnants of words
penned in blossom, words written in the wind, now evaporated like the mist of dawn.

Monday, September 15, 2014

At day's end

Setting Sun,

I know exactly what you mean.
Save your explanations and excuses.

Wherever it is you are gracing with that light,
that heat I know within, it is enough

to know the sun is shining somewhere.
Fare well.

Saturday, September 06, 2014

Before the Darkness

I love how a candle glows in the darkness just after
it is blown out, it continues to glow,like the blood-
red memory of the sun through shut eyelids, a spot 
like an ember, in that liminal state between, teetering
until the wick takes its final gasp, brightening 
for a moment, soft firework, 
before exhaling, into black.

Sunday, August 24, 2014

Time, Suspended

As I entered the room, bathed in silence, a man dressed in black came and took my hand and guided me to the central pedestal. And there we stood, quietly, breathing, eyes closed, surrounded by others, stoic and immobile. People descended, new people were guided, hand-in-hand joined to their guides or solo, standing, waiting, stilling the mind. A breathing human monument, a moveable Stonehenge.

Experiencing Marina Abramovic’s '512 Hours' at the Serpentine is transcendent. With an open spirit and respectful demeanour, the entire experience becomes a meditation. In an adjoining room, cots, scattered in no particular order welcomed participants to lie and ponder and dream and rest. They were covered in colourful sheets by members of Abramovic’s black-clad team of assistants. A quiet room of contemplation, a peaceful ward brightened with pops of colour, all bathed in the to and fro of sunlight streaming in through the windows above. I stood and watched, and breathed as, in silence, a room full of people lay in their own meditations. On individual journeys but on parallel paths. As a woman arose from a cot near me, she caught my eye and invited me, silently, to take her place. The simple connection, the simple act of guidance – like the man dressed in black taking my hand – was contagious, somehow that parallel path we were traversing together in this exhibition space came to an intersection in a simple yet powerful way.

The final room features the most amount of motion (which isn't really saying much). It also had an incredible cinematic quality. From the doorway you see people walking along the length of the room with very slow and painstaking care, their measured movements slowed down, conscious of every move of every muscle that makes up the experience of walking. The scene reminded me of those from theatrical plays where all but one actor freezes – a tableau of a moment in time. But here, the movement, in extreme and personal slow motion, was stunning.

A truly powerful experience, especially for me who values introspection and meditation so much. I can only imagine this is a preview of the Marina Abramovic Institute planned to open in upstate New York in the coming years (designed by OMA). There is incredible potency in locking up all your time- and communication-devices and just bathing in pure quiet, experience and connection. Slowing down, reflecting in, connecting back ... after a few moments, you can hear your breath, and hear your own heartbeat pulsing subtly through your body.

Friday, August 08, 2014

Just Visiting

Driving into Montreal, the Five Roses Flour sign blinks red above its silos, an unofficial welcome back to the city after a drive down to the United States.

It is my last full day of a two-week trip back to Montreal and it has been filled with lots of family time and special moments. No matter how many phone calls or Skype calls, nothing really replaces time spent with cousins, sisters, brothers, parents in real time, in real presence. There is something affirming about family time, at least for me; we've had a whole life together, a constellation of moments we all share, people we cherish.

Even for all its maddening qualities, challenges and quirks, Montreal will always be home for me. These streets are familiar, this mixing of English and French, the great diversity, the funk and the fabulous. The sometimes languid pace of life here can leave something to be desired, or, conversely, it can be wholly instructive; time to check in, slow down, enjoy. The formation one gets growing up in this city is so incredibly unique and irreplaceable, and there is something ticking in the heart of this little metropole.

Perhaps it's just an ideal summer foray that has me in a deeply reflective mood. Maybe I would not say the same in the frost of winter. And it is not to say that I am not incredibly blessed with my life in London at the moment; I am exactly where I need and want to be. Just throwing out some mad props to MTL, ma ville, ma patrie. Cheers to Montreal.

Friday, May 09, 2014

Get in the boat.

At Frieze New York 2014 opening today, artist Marie Lorenz is offering tours of the East River in a handmade rowboat (below). 

It reminds me of Joana Vasconcelos and the Portuguese pavilion (below) at the Venice Biennale last year with its wild interior and azulejos decor also went for a meander from the fairgrounds.

There was also an incredible 2011 project a few years ago at the Wapping Project featuring the finale wedding dress from Yohji Yamamoto's 1998 collection worn by an illuminated mannequin suspended from the ceiling above a flooded former boiler room. The only way to experience the work was 2-by-2 in a rowboat. The installation project was part of a feature of the artist on in and throughout the V&A.

So are you getting in the art boat? 

I am a fan of committing to these meditative voyages, as the usual modality for viewing art (art fairs especially) seems to crave immediate impact at a speedy pace. Getting into the boat and going at the slower pace, swaying with the water, or advancing with the human efforts of the paddle,  rewinds our technological evolution, it acknowledges our roots, the path traversed. There is a journey. There is another perspective to embrace. I come back to the art, back to close observation, getting lost in expression, experience.