
















Writings and Musings
Last Friday, I fled the office, fled the city and caught a train to Venice. Everyone I spoke to raved about the city: my mother always returned to Montreal with elegant photos, Angela spoke highly of her time in Venezia, Carly has been back numerous times and Matilde repeated the fact that the Italian city is quite unlike anything else. Here I was on the train to this magical city, expectations whirling in my head, wondering how could it be. I had written about Venice in the Let's Go guide of Western Europe last summer, rewriting the introduction to a city I had never visited, saying it was best to get lost in the city of Venice (La Serenissima, the peaceful one) a town of winding canals, curving streets, and deteriorating stucco palazzi. Getting into the train station I was confused, I had water on one side and cars on a highway on the other. The weather had been overcast and rainy, the air thick with grey and dampness. I walked out onto the platform, not thinking this could be it. I met Carly and we walked out of the train station. It was then that I understood. Before me was a canal lined with rose coloured glass lampposts, a bridge to my left and a domed church right in front of me.
My first moments in the city, or my entire first day rather, I couldn't really grasp the concept of this city. I didn't know where I was going, my map was useless, city of bridges, canals and buildings rising out of the water. As I sat in my room the first night, the melody of an accordion teased into earshot and as I looked out my window a gondola passed by and a woman snapped a picture of me looking (perhaps longingly) out my window at the passing boat, a new kind of passing vehicle, waterway traffic. That night we visited the tourist-packed Rialto bridge and went to dinner at Carly's Venetian mainstay La Trattoria alla Madonna where she witnessed the secret to creamy risotto (perhaps the best I have ever tasted) which is not cream but pan-flipping. We proceeded to get lost on the way home, following signs, discovering sidestreets, meeting stray dogs, and finally arriving home to our cave-like hostel. After a licorice-tasting absinth, we went to sleep giggly and happy. 

Arriving in Piazza San Marco, already invaded by tourists, after a winding path from the Rialto, Carly and I headed to the top of the campanile (bell tower) to breathtaking views of the islands of Venice and the packed rooftops unimaginable from the tall and narrow streets below. So much of this city gives you a new view of life as it really should be: the streets you travel aren't straightforward or retraceable (or when they are retraced, they are completely unfamiliar), canals don't make sense, the spaces are varied, from wide open campos to narrow tall alleyways with low arched entrances.
I took Venice as an allegory for everyday life, winding, unpredictable, rife with loss, and at times surreal. From the campanile with its wonderful breeze, I saw the Guidecca, a region suggested to me to visit by Daria at the office and the Chiesa S. Giorgio on its own island, that also seemed a point of interest. Wanting to take the vaporetto around town that day and buy a 24hr ticket, we arrived at the vaporetto stop only to discover that there was a vaporetto strike. Quintessential Italian experience number 5, great. Unphased we decided to go on foot, we would see as much as Venice as possible, without swimming.
We headed back to the Rialto to do a bit of present shopping, spending most of our time with Giorgio and Wanda Scarpa at their shop Rivoaltus. Wanda slaves away as Giorgio tends the one-room shop. It was so nice to be warmly greeted and welcomed. The books that are sold in the shop are gorgeous, made from leather and Amalfi paper... entrancing designs. Good purchases. After a lunch stop on the go, we headed for a museum afternoon complete with the non wow-worthy Accademia (although they did take me for an EU student) and the wonderfully peaceful and stimulating Peggy Guggenheim collection. I loved the Peggy Guggenheim Collection, if not for the Angel of the City with the removable erection but for the peaceful and inspired atmosphere that reigns in the museum. You walk into another world, of thought-provoking art, a type of art that you can't understand completely but makes your mind bubble, chatter. Venice is thus a perfect setting for the collection. Beside the cool stone trelis-covered table in the courtyard, I loved the photos of Peggy in her house (because that's what it was) because it gives a personal touch to the spaces, a history. Too bad I checked my bag and camera and couldn't take any pictures... I shall return, one of my favorite museums in a whimsical city. After wandering around with screaming feet to a church and a gelateria (to have a gianduiotto da passaggio, which I would NOT recommend although chocolate hazelnut icecream in dense whipping cream sounded amazing), we headed home on a free vaporetto and collapsed.
Venice at night is completely unreal with palazzi that look like they are either rising up from or sinking into the water. Magical, ephemeral, peaceful. The boat rocks as I snap pictures in the darkness and catch glimpses of chandeliers, paintings or rich red walls through open windows to lit rooms. I walked off the vaporetto feeling like I had lived a dream, walking towards the music of San Marco, street lamps lighting up the night, silver tipped gondolas bobbing in the water, resting from a day of peaceful gliding. I met up with Carly, ran into some other Harvard folks and headed home on the vaporetto (after getting lost and not wanting to be stuck in the dark, the silence, with no real trusty map and nothing but lapping water). I drifted to sleep after checking out the scene in the student-busy Campo S. Margherita near our hostel and witnessing some more Italian beauties, bronzed, stylish (greek style lace up sandals, aka hotness), and smiling. A nice square to hang out in.
I had wonderfully peaceful dreams that night of rising from the water to witness a panorama of still coloured-stucco palazzi and woke up with the sun. This place really is quite peaceful and so much you have to experience for yourself: the touch of stucco, the narrow tall streets, the gentle incline of the bridges, the visibility of time's passing.
Carly and I arrived at Caffé Florian before they opened on Sunday morning and took in the cool wind breezing through piazza San Marco, the world's largest sitting room. Sipping cappuccino (the trip's best) and a Bellini we bid adieu to Venezia in style along with dipping our hands into the water to feel the soft seaweed growing on the cold marble steps into the water. On the train (although we hadn't validated our tickets, we didn't get fined as I thought we would. unforseen travel expenses: 100 euro I thought as Carly uttered 'For everything else there's Mastercard'), I tried to come to terms with the trip, its unreal quality (throughout the weekend I kept telling myself I was in Venice and afterwards I told myself that I had just been in Venice), like a dream and truly, unlike anything I have ever experienced, feeling much more in touch with life thanks to the city's unrestrained quality, floating delicately on the surface.
We won. Gli azzuri sono campioni del mondo. Del MONDO. Forza Italia (the official name of the Italian team) took the World Cup last night 6-4 when the game was forced to penalty shots, the ultimate final preuve to decide the winner in a tied situation after 30 minutes of overtime. Honestly, I am exhausted this morning having spent a weekend in Venice (which has to be put on hold because of more immediate news), having gone to sleep at 3am last night (well, this morning), getting up to a stubborn hot water heater, and arriving at work to be kicked off my adopted home computer. But all that is besides the point.
That last tactic started badly for the Italians giving the French a penalty kick by the super star Zidane that bounced off the top of the goal into the net. 1-0. For France. Shit. At first France seemed the more skilled team, passing the ball to each other accurately and quickly and in formation. I wasn't optimistic. Not until a corner kick 12 minutes later that ended in a beautiful head shot by Materazzi. 1-1. Good. Dai dai dai Italia. Forza ragazzi.
France missed their second shot, with the ball bouncing off the top of the goalpost, bouncing down but just outside the zone where it would be considered a goal. The rest of the players continued to get their shots in the net. The final Italian player, Grosso, had to score a goal to win the game since France had missed one and couldn't beat 5 successful penalty kicks. And, as you all know, he scored.
What do you do when Italy wins the world cup besides the requisite yelling and cheering? There were a couple of options: head to the city center and celebrate (bringing horns, flags, pots, beer, anything), drive around in your car honking and waving the flag out the window for a couple of hours, or just be happy and try to sleep. We opted for choice number one and headed to the center of town, snapping photos along the way (I got back at 3am people, don't be angry that there isn't anything visual up today), cheering with everyone on the metro (repeating either ITALIA clap clap clap , Francia Francia vaffanculo, po po po po po po po [you had to be there to understand the rhythm of that one...actually, its from the white stripes song] and something else that I can't really remember).
I have never seen so many flags of any country so densely packed in one place. It was a literal sea of flags and people. Such happiness. Hugging, couples kissing, people running around in tri-colour underwear, and vigorous flag-waving. If I were Italian I probably would have been crying with joy, waving my flag because it was the most intense sign of my patriotism and the only way I could really celebrate besides yelling at the top of my lungs. The metros were free, people let off fireworks (some quite loudly exploding in garbage cans), piazza duomo was densely covered in beer bottles and beer cans. A whole bunch of people were also standing on the base of some monument in the piazza with a victorious horse-riding captain on top. Of course we went on top to start cheers and look across the sea of people and flags, packed densely with cheers, towards the duomo. Intense. I could cheer at cars or people in their apartments and they would break into a smile and yell back, intense community.
Soccer brings this country together, which I think is the case for a lot of Europe. In Italy, gli azzurri are national heros and soccer a national sport that kids play in piazzas and learn about in their baby carriages. With the recent scandal of match-fixing penalizing illustrious teams such as Juventus and Lazio to lesser leagues, lesser prestige and lesser funding. This victory affirms (backed by player Gattuso) that although this scandal and trial may still be going on, soccer still drives the Italian people and the integrity of the game itself continues.
Brace yourselves, this week the mercury will creep up close to 40 as Saharan heat presses into Milan. It is said that this week will be the worst of the summer, the hottest, and then it will be a different sort of heat. I find myself sweating more than I am used to, wiping off the liquid from my forehead as I entered the Metro this morning and other times as well. Somehow, I don't mind the heat that much. I know that if I keep drinking water and staying hydrated that I'll be okay. And I know that sweating is natural. In a way, it makes you feel alive.
Feeling cool (both temperature-wise and culture-wise), Carly and I headed off to Piazza Santo Stefano to have lunch at cente pizze (a hundred pizzas, although they don't actually have a hundred pizzas) and a visit at a latin-american church (who would have known). In the afternoon, we wandered in the heat to the Leonardo Da Vinci Science and Technology museum.
For 6 euro, we thought we had been cheated because the displays were nothing but juvenile and uninteresting (and one room was particularly rancid). However we figured out that we could have a little presentation in Italian about Leonardo Da Vinci with some of his reconstructed machines.
With some elementary Italian and a venture into physics, Carly and I learned quite a bit and even built a Da Vinci bridge quickly enough to beat out the ten year olds and get a Evviva Ingliterra (Long live England!) from our guide. The skies broke out in thunder showers after Carly and I had bought melon and prosciutto (which came with free golden kiwis... what?! we still can't figure it out), and Carly, Niki and I went out to dance in the rain and celebrate a temporary end to the heat. In the cool night, Carly and I hit the fashion stores for La Notte Bianca, a full night of shopping, music, and special events around town until 6am (even though we called it quits at 2am).
I want to digress. On this lovely Saturday, at one point we were heading in a metro direction I hadn't gone before. I was convinced, after consulting my guidebook that we were indeed headed in the right direction for Cadorna. A woman came up to me as we waited for the train and asked if the train was headed for Lima. I said I had a guidebook and would check. Seeing Lima in the opposite direction, I told her that she should take the other train. Also, just as the train arrived an Italian woman asked if the train was going to Cadorna, and I said yes, for sure, that's where we are headed. Sure enough, that is not where we were headed, at least on the train that we got on. Not only was our trip a bit longer, but I had instructed two others wrongly because I thought I knew where I was going. I should just give up, I am Canadian I do not know Milan, screw it. Non lo so, I don't know. How do you ever know to trust that random person you ask for directions? You can't unless they have a store, or live here. Don't trust the random person for directions.
Although luscious at first sight, if you look closer, some of the decorations hanging from the red velvet drapse above all the seats are wood painted gold, a bunch of lightbulbs in the chandelier were burnt out and the seats in front of the stage looked like they could have been in a high school auditorium... a lesson in costume jewelry i thought (to which Dorota would later put me down saying La Scala was one of the most famous opera houses in Italy).
Once the music began, I would concede that the acoustics were indeed amazing. From my seat where one can see absolutely nothing, I could hear crisply the single violin or the single flute playing their part. Standing up and watching the small chamber orchestra as the played Rossini, Mozart, Rota, and Gershwin, I was moved.
The skill of the musicians, the experience of this concert venue and fanning myself as if I were some sort of lower class gentleman from 400 years ago all came together to make it well worth the 5 euro. And at the end there was a sultry gorgeous Argentinian tango complete with a lengthy and riveting accordion solo played as one of the two encores. Of course, they had to play more than one.
It's kind of amazing how involved the Italians get, jumping up and down, yelling and cursing at the TV, and then, at the end, going back to work and moving on with their lives as quickly as they switched on the TV. It was nice to have a day at work that did not end with me being frustrated or pissed off, I actually stayed until 6 yesterday but, granted, I was watching a soccer game for the last two hours, ma dai (but come on)!
She had thought it a great invention, but, sorry mom, the Ligurians had a one-up on you. And the carpaccio, I was apprehensive. Raw meat. I've never had raw meat before. Hm. But since I've been in Italy, really I have no clue how to say no or to refuse any sort of new cultural experience. And it wasn't so bad, a light cool estival dish. I think it made me a bit nuts last night because I was thinking that every slightly uneasy feeling I was having must be from the raw meat. I don't think I'll be trying that stuff for a while, raw meat makes me nuts. Or perhaps the nuts made me nuts. You know what, I think I am just nuts to begin with, food excluded.
Both spots were full of people chatting, smoking, drinking, playing soccer. Aside from the fact that it was pretty hard for me to follow conversation because I don't hear well on top of the fact that Italian is my third language, le Colonne was a beautiful spot framed on one side by ancient Roman columns and on the other by this beautiful stately old building and Mom was just a wild scene with Milanesi of all kinds passing the night away (Wednesday's night is Mom's night).
Observing the people and being a bit outside of conversation (Matilde ran into some highschool friends and was swept away in a flood of catching-up conversation. I only caught a few jokes, but was content nonetheless), I reflected on my Italian integration experience thus far and wanted to formulate a top ten, with a bit of help from Gaia and my insight into life thus far. So here it is à la Letterman, Stefan's list of top ten ways to be like a Milanese:
4. Drink coffee, smoke and drink, as much as possible. You can even start when you're 12 if you like, it's not as if there are any laws against it in Italy
And in the afternoon, I am going through every single folder (Abacus, Aquiloni, Babysitter, Balletti, Balli... alphabetical order) and looking at every single sheet of slides looking for slides from 5 companies we no longer represent. AIE. So today, armed with my iPod (grazie a dio [thanks be to god, to borrow from Anna's arabic phrase] for music), I will try to tackle the archive. I've been leaving work early (I am supposed to work until 6) because truly, I don't believe in anything but 9 to 5. And, in addition, I can't support the torture of me myself and I in the archive. I've been thinking about the future, about the joband the people in the office etc.

After I left that mirrored madness, I caught a glimpse of some wild chandelier through a courtyard window of Corso Venezia... hidden elegance, the high life of the road of high fashion. Dorota would later tell me of a similar experience where she caught a glimpse of the Barilla family home in the Golden Square which had peacocks strutting about. Mamma mia. Around the corner on Via Monte Napoleone and I found myself in the courtyard of the Armani store with two shallow simple black pools filled with flowers before a coolly aesthetic men's store. It's no wonder the Milanesi have a solid confident attitude, they've got the stores to match. It is something to see, a bit ostentatious, a bit over the top, but then again, it is also the cutting edge of design and an aesthetic wonderland... I'll be sure to return.
Also, since the Church is pervasive (é dappertutto as I like to say) although no one GOES to church, there are intrinsic ideas that casual sex is bad, mastubation will make you blind and queer people should be shot (the men in Dorota's class upon being asked if their son told them he was gay responded that they would kill him), there is an underlying conservative and intolerant view. It's interesting because the big names in fashion, Valentino, Dolce and Gabbana, Armani, are all gay. But, since they have made a name for themselves, they're alright. Interesting no?
The Milanese are constantly restoring the cathedral (currently the facade is covered) and there are parts that are white and pink, fresh to the world once again. I took 150 photos at the top of the Duomo (before editing) and immensely enjoyed my first foray in tourism... there are so many beautiful statues up on the roof (3400 on the whole church to be exact, in true international medieval style) I went a little nuts.
Sunday we escaped the forno (oven) that was to be Milan to head to Celle Ligure, a beach town in the province of Liguria. From the car I was able to witness the yellow wheat and green grass countryside of the Piemonte, flat farm land all around with a farm house here and there and the extremely photogenic (although I was not successful) single tree alone in a pasture. We went through the Apennines and into Liguria where coloured stucco houses dot the hillside that ultimately end at the coast with beautiful blue beaches. Although parking was nothing short of a nightmare (though everything here doesn't really phase me to worry), the subsequent cloud-like brioche (think warm sugared cloud) and genovese focaccia made everything alright, as did the clouds parting to reveal glorious sunshine.
I, of course, was il bianco (the white one) among my newfound family and they laughed really hard when I pulled out my 45 sunscreen lotion. They of course were using 2 (italians usually probably just slather themselves in olive oil... although some were using tanning oil). I started off with 20 and worked my way down to 10 with a little venture into the land of 6. By the end of the day, I was nicely tanned but not nearly as much as the others who were running away from me in terms of skin tone, escaping into the exotic and sensual world of a deep golden brown.
People here are just naturally darker, and the contrast to their white parts is almost blinding, as I was to witness from the car one man standing out on the point with a strip of blinding white contrasting against the deep luxurious brown. In my picture taking, I've ventured into suspiciously taking pictures of other people without them being aware. There are some cute shots of people I don't even know, displaying a real life that already exists here without me: the tourist.
What is wonderful about the beach and about the Italian culture so far, in general, is that anything goes. Want to go topless on the beach ladies? Fine. Men, want to wear speedos? Va be' (Fine). This liberated spirit that doesn't really worry about what goes and what doesn't but just lives will be something I will live up to the fullest and bring back with me for sure. With pure emotions and a raw sense of aesthetics, it isn't hard to see how Italy appeals to so many. 

